Song «Fly, Fly, Cuckoo» as a Phenomenon of Musical and Poetic Work of the Chuvash People
Research Article


- Published in:
- International academic journal «Ethnic Culture»
- Author:
- Alisa L. Agakova 1
- Work direction:
- History and Theory of Art Questions
- Pages:
- 6-10
- Received: 22 December 2020 / Accepted: 25 December 2020 / Published: 25 December 2020
- Rating:
- Article accesses:
- 6039
- Published in:
- doaj РИНЦ
1 Chuvash State Institute of Culture and Arts
- APA
For citation:
Agakova A. L. (2020). Song «Fly, Fly, Cuckoo» as a Phenomenon of Musical and Poetic Work of the Chuvash People. Ethnic Culture, 6-10. EDN: EQDURT. https://doi.org/10.31483/r-97474
- ВКонтакте
- РћРТвЂВВВВВВВВнокласснРСвЂВВВВВВВВРєРСвЂВВВВВВВВ
- РњРѕР№ Р В Р’В Р РЋРЎв„ўР В Р’В Р РЋРІР‚ВВВВВВВВРЎР‚
UDC 784.4
DOI: 10.31483/r-97474
Abstract
The article examines the semantic and axiological foundations of «Fly, fly, cuckoo» – the most popular work of Chuvash song folklore. The purpose of the work is to establish the history of the song from the moment of the first recording and analyze its professional processing. The author practices a short generalized description of the most characteristic features of each artistic treatment. This approach allows to clearly feel the individual handwriting of each composer. The research results are based on comparison and generalization methods. The melody of this song inspired the Chuvash and Russian composers to create works of different genres: vocal, choral, instrumental. It is unique in terms of the number of adaptations: there are more than 30 of them – so often composers did not pay attention to any Chuvash song. The article discusses the most vivid and characteristic examples of processing the melody of a song. The author analyzes the works of S. M. Maksimov, A. G. Orlov-Shuzm, G. Khirbyu, A. Petrov, G. Anchikov, V. Bely and others. The inclusion in the educational process of such examples of folk art as the song «Fly, fly, cuckoo», and works created on this topic, contributes to an increase in the level of musical culture, the formation of respect for indigenous peoples and their traditions.
Keywords
References
- 1. Agakova A. L. Narodnaya pesnya «Leti, leti, kukushka» v tvorchestve chuvashskih kompozitorov // Kul’tura i iskusstvo kak universal’nyj faktor duhovno-nravstvennogo sovershenstvovaniya cheloveka i obshchestva. – Cheboksary, 2012. – S. 21–25.
- 2. Volkov G. Viçĕ yură // Tăvan Atăl. – 2001. – №6. – S. 4–5.
- 3. Ilyuhin Yu. A., Kondrat’ev M. G. «Serdce shchemit ot odnoj mysli o Volge…» // Mastera muzykal’nogo iskusstva: ocherki. – Cheboksary: Chuvash. kn. izd-vo, 2009. – T. 7. – S. 31–40.
- 4. Ilyuhin Yu. A. Chuvashskaya narodnaya muzyka / Chuvash. resp. in-t povysheniya kvalifikacii rabotnikov nar. obrazovaniya. – Cheboksary, 1992. – S. 3–22.
- 5. Kondrat’ev M. G. «Vĕç, vĕç, kukkuk» // Chuvashskaya enciklopediya. – Cheboksary, 2006. – T. 1. – S. 315–316.
- 6. Maksimov S. M. Turi chăvashsen yurrisem. – Shupashkar, 1932. – 136 s.
- 7. Maksimova G. O perezhitom // Lik Chuvashii. – 1997. – №2. – S. 52–76.
Documents
Full text (RUS)
713.78KbLinks
Journal
https://journalec.com/en/action/10215/infoExport citation
BibTex
.bib
Comments(0)