<?xml version="1.0" encoding="UTF-8"?> <!DOCTYPE book PUBLIC "-//NLM//DTD BITS Book Interchange DTD v2.3 20210610//EN" "BITS-book2.3.dtd"> <book xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" book-type="conference-proceedings" dtd-version="2.3" xml:lang="en"> <front> <book-meta>  <book-id book-id-type="isbn">978-5-907830-73-8</book-id>   <book-id pub-id-type="doi">10.31483/a-10615</book-id>   <title-group>  <book-title xml:lang="en">Актуальные проблемы нейросенсомоторного развития детей: семейные и средовые поддерживающие факторы</book-title>   <trans-title-group xml:lang="ru"> <trans-title>Актуальные проблемы нейросенсомоторного развития детей: семейные и средовые поддерживающие факторы</trans-title> </trans-title-group>  </title-group>   <contrib-group>  <contrib contrib-type="editor" id="editor1">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Инкина</surname> <given-names>Южанна Михайловна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Inkina</surname> <given-names>Iuzhanna Mikhailovna</given-names> </name>  </name-alternatives>    </contrib>  <contrib contrib-type="editor" id="editor2">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Овсянникова</surname> <given-names>Татьяна Юрьевна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Ovsiannikova</surname> <given-names>Tat&#039;iana Iur&#039;evna</given-names> </name>  </name-alternatives>   <email xlink:type="simple">tu.ovsyannikova@yandex.ru</email> </contrib>  </contrib-group>   <contrib-group>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm1">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Сязина</surname> <given-names>Наталья Юрьевна</given-names> </name>   </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm2">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Рахманина</surname> <given-names>Ирина Николаевна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Rakhmanina</surname> <given-names>Irina Nikolaevna</given-names> </name>  </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm3">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Сафоничева</surname> <given-names>Ольга Георгиевна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Safonicheva</surname> <given-names>Ol&#039;ga Georgievna</given-names> </name>  </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm4">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Фатхи</surname> <given-names>Ольга Геннадьевна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Fatkhi</surname> <given-names>Ol&#039;ga Gennad&#039;evna</given-names> </name>  </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm5">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Овсянникова</surname> <given-names>Татьяна Юрьевна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Ovsiannikova</surname> <given-names>Tat&#039;iana Iur&#039;evna</given-names> </name>  </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm6">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Инкина</surname> <given-names>Южанна Михайловна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Inkina</surname> <given-names>Iuzhanna Mikhailovna</given-names> </name>  </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm7">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Франтасова</surname> <given-names>Екатерина Петровна</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Frantasova</surname> <given-names>Ekaterina Petrovna</given-names> </name>  </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm8">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Гребенщикова</surname> <given-names>Мария Алексеевна</given-names> </name>   </name-alternatives>   </contrib>  <contrib contrib-type="member-of-organizing-committee" id="orgcomm9">    <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Баскаков</surname> <given-names>Иван Святославович</given-names> </name>   </name-alternatives>   </contrib>  </contrib-group>   <event>  <event-desc xml:lang="ru">Актуальные проблемы нейросенсомоторного развития детей: семейные и средовые поддерживающие факторы</event-desc>   <event-desc xml:lang="en">Relevant Problems of Neurosensomotor Children&#039;s Development: Family and Environmental Supporting Factors</event-desc>   <conf-date> <day>09</day> <month>09</month> <year>2024</year> </conf-date>    <conf-loc xml:lang="en">Астрахань</conf-loc>  </event>   <publisher> <publisher-name>ИД «Среда»</publisher-name> </publisher>    <pub-date pub-type="collection"> <year>2024</year> </pub-date>    <permissions> <copyright-statement>Copyright &#x00A9; Meng Ge, 2024</copyright-statement> <copyright-year>2024</copyright-year> <license license-type="open-access" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"> <license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p> </license> </permissions>  </book-meta> <book-part book-part-type="conference-paper"> <book-part-meta>  <book-id pub-id-type="doi">10.31483/r-112842</book-id>   <book-id custom-type="publisher-id" pub-id-type="custom">112842</book-id> <title-group>  <chapter-title xml:lang="en">Research on the Theoretical Basis and Experimental Pathway of Music Therapy Based on Artificial Intelligence Technology</chapter-title>   <trans-title-group xml:lang="ru"> <trans-title>Исследование теоретических основ и экспериментального пути музыкальной терапии, основанной на технологии искусственного интеллекта</trans-title> </trans-title-group>  </title-group>  <contrib-group>   <contrib contrib-type="author" id="author1">   <name-alternatives>  <name name-style="eastern" xml:lang="ru"> <surname>Гэ</surname> <given-names>Мэн</given-names> </name>   <name name-style="western" xml:lang="en"> <surname>Ge</surname> <given-names>Meng</given-names> </name>   </name-alternatives>  <email xlink:type="simple">892209287@qq.com</email> <xref ref-type="aff" rid="aff1"/> </contrib>   <aff-alternatives id="aff1">   <aff xml:lang="ru">  <institution>Университет финансов и экономики Цзянси</institution>   <country>Китайская Народная Республика</country> </aff>    <aff xml:lang="en">  <institution>Universitet finansov i ekonomiki Tsziansi</institution>   <country>The People&#039;s Republic of China</country> </aff>   </aff-alternatives>  </contrib-group>   <fpage>12</fpage> <lpage>19</lpage>   <abstract xml:lang="en"> <p>this study aims to explore the theoretical underpinnings and experimental frameworks of music therapy, particularly when augmented by artificial intelligence (AI) technology. The increasing integration of AI in various scientific domains and daily life prompts its consideration in medical and musical applications. The primary objective is to assess the efficacy of AI-generated music in music therapy settings. To achieve this, a multi-faceted approach combining synthesis, analysis, induction, deduction, and descriptive methods is employed. Additionally, the historical-genetic method is utilized to trace the genesis and evolution of the music therapy-AI intersection. The practical implications of this research are profound, as the findings can inform the development of music therapy practices that incorporate AI. Initial findings suggest that AI enables a more individualized approach in music therapy, which is advantageous. Furthermore, AI-assisted melody creation for therapeutic purposes is significantly faster than traditional methods relying solely on human composition. Consequently, this study underscores the novelty and significance of AI in music therapy research.</p> </abstract>    <trans-abstract xml:lang="ru"> <p>исследование направлено на изучение теоретических основ и экспериментальных разработок музыкальной терапии, особенно в сочетании с технологией искусственного интеллекта (ИИ). Растущая интеграция ИИ в различные научные области и повседневную жизнь побуждает к его использованию в медицине и музыке. Основная цель – оценить эффективность музыки, генерируемой искусственным интеллектом, в условиях музыкальной терапии. Для достижения этой цели используется многогранный подход, сочетающий синтез, анализ, индукцию, дедукцию и описательные методы. Кроме того, историко-генетический метод используется для того, чтобы проследить генезис и эволюцию взаимосвязи музыкальной терапии и искусственного интеллекта. Практическое значение этого исследования весьма велико, поскольку полученные результаты могут послужить основой для разработки методов музыкальной терапии, использующих искусственный интеллект. Первоначальные результаты показывают, что ИИ обеспечивает более индивидуальный подход в музыкальной терапии, что является преимуществом. Кроме того, создание мелодий с помощью ИИ в терапевтических целях происходит значительно быстрее, чем при использовании традиционных методов, основанных исключительно на человеческой композиции. Следовательно, это исследование подчеркивает новизну и значимость искусственного интеллекта в исследованиях музыкальной терапии.</p> </trans-abstract>         <kwd-group xml:lang="ru">  <kwd>музыкальная терапия</kwd>  <kwd>искусственный интеллект</kwd>  <kwd>теоретические основы</kwd>  <kwd>экспериментальный путь</kwd>  </kwd-group>    <kwd-group xml:lang="en">  <kwd>artificial intelligence</kwd>  <kwd>music therapy</kwd>  <kwd>theoretical basis</kwd>  <kwd>experimental pathway</kwd>  </kwd-group>      <funding-group>  <funding-statement>This work is supported by the 2024 Annual Research Project of the Children&#039;s Artificial Intelligence Education Research Institute, China National Children&#039;s Center (Project No.: CNNCCYJY 2024010).</funding-statement>   <award-group>   <award-id>Project No.: CNNCCYJY 2024010</award-id>    <funding-source>2024 Annual Research Project of the Children&#039;s Artificial Intelligence Education Research Institute</funding-source>  </award-group>  </funding-group>  </book-part-meta> </book-part> </front>  <back> <ref-list> <title>References</title>  <ref id="ref1"> <label>1</label> <citation-alternatives>   <mixed-citation xml:lang="en">Artificial intelligence and generative music: will neural networks deprive musicians of work (2021) [Electronic resource]. – Access mode: https://www.techinsider.ru/technologies/724783-iskusstvennyy-intellekt-i-generativnaya-muzyka-lishat-li-neyroseti-raboty-muzykantov/ (date of application: 24.10.2023).</mixed-citation>   </citation-alternatives> <element-citation publication-type="web">            <ext-link ext-link-type="uri">https://www.techinsider.ru/technologies/724783-iskusstvennyy-intellekt-i-generativnaya-muzyka-lishat-li-neyroseti-raboty-muzykantov/</ext-link>      </element-citation> </ref>  <ref id="ref2"> <label>2</label> <citation-alternatives>   <mixed-citation xml:lang="en">Haase-Rapoport K. (1990). Artificial intelligence. Radio and communications. Moscow.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Haase-Rapoport</surname> <given-names>K.</given-names> </name>  </person-group>                  </element-citation> </ref>  <ref id="ref3"> <label>3</label> <citation-alternatives>   <mixed-citation xml:lang="en">Gorbacheva A. (2018). Artificial Intelligence and Contemporary Art: New Opportunities and Challenges. 13: 145–154.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Gorbacheva</surname> <given-names>A.</given-names> </name>  </person-group>        <fpage>145</fpage> <lpage>154</lpage>         </element-citation> </ref>  <ref id="ref4"> <label>4</label> <citation-alternatives>   <mixed-citation xml:lang="en">Ignatiev A. (2022). Ethics in the field of artificial intelligence in the focus of interdisciplinary research and the development of national approaches. Moscow: MGIMO Publishing House.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Ignatiev</surname> <given-names>A.</given-names> </name>  </person-group>                  </element-citation> </ref>  <ref id="ref5"> <label>5</label> <citation-alternatives>   <mixed-citation xml:lang="en">Kuznetsov A. (2012). Functional representation of music and approaches to structural synthesis. Computer Science, Telecommunications and Management. 1: 11–20.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Kuznetsov</surname> <given-names>A.</given-names> </name>  </person-group>        <fpage>11</fpage> <lpage>20</lpage>         </element-citation> </ref>  <ref id="ref6"> <label>6</label> <citation-alternatives>   <mixed-citation xml:lang="en">Morkovkin E. (2021). Artificial Intelligence as a Tool of Contemporary Art. Bulletin of Khakass State University. 2: 55–59.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Morkovkin</surname> <given-names>E.</given-names> </name>  </person-group>        <fpage>55</fpage> <lpage>59</lpage>         </element-citation> </ref>  <ref id="ref7"> <label>7</label> <citation-alternatives>   <mixed-citation xml:lang="en">Nagornaya L. (2020) Scientific achievements and artificial intelligence in the world of musical art. Culture and Education: scientific and informational journal of universities of Culture and Arts. 10: 32–43.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Nagornaya</surname> <given-names>L.</given-names> </name>  </person-group>        <fpage>32</fpage> <lpage>43</lpage>         </element-citation> </ref>  <ref id="ref8"> <label>8</label> <citation-alternatives>   <mixed-citation xml:lang="en">Ovchinnikov Y. (2022). Anthropological foundations of music-oriented health-saving technologies. Musical art and education. 10: 46–64. https://doi.org/10.31862/2309-1428-2022-10-2-46-64. EDN: JUGGKU</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Ovchinnikov</surname> <given-names>Y.</given-names> </name>  </person-group>        <fpage>46</fpage> <lpage>64</lpage> <pub-id pub-id-type="doi">10.31862/2309-1428-2022-10-2-46-64</pub-id> <pub-id pub-id-type="custom" custom-type="edn">JUGGKU</pub-id>       </element-citation> </ref>  <ref id="ref9"> <label>9</label> <citation-alternatives>   <mixed-citation xml:lang="en">Palmov S. (2023). The use of artificial intelligence by music services. Applied Economic research. 1: 198–203. https://doi.org/10.47576/2949-1908_2023_1_198. EDN: LXDVZM</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Palmov</surname> <given-names>S.</given-names> </name>  </person-group>        <fpage>198</fpage> <lpage>203</lpage> <pub-id pub-id-type="doi">10.47576/2949-1908_2023_1_198</pub-id> <pub-id pub-id-type="custom" custom-type="edn">LXDVZM</pub-id>       </element-citation> </ref>  <ref id="ref10"> <label>10</label> <citation-alternatives>   <mixed-citation xml:lang="en">Peredelkina O. Neural Sonata: How artificial intelligence generates music [Electronic resource]. – Access mode: https://trends.rbc.ru/trends/industry/5f84b49e9a794729fefb4c88 (date of application: 25.10.2023).</mixed-citation>   </citation-alternatives> <element-citation publication-type="web">  <person-group person-group-type="author">  <name> <surname>Peredelkina O</surname> <given-names></given-names> </name>  </person-group>            <ext-link ext-link-type="uri">https://trends.rbc.ru/trends/industry/5f84b49e9a794729fefb4c88</ext-link>      </element-citation> </ref>  <ref id="ref11"> <label>11</label> <citation-alternatives>   <mixed-citation xml:lang="en">Petrushkin V. (2019). Music therapy today: science, practice, education. AMPP, Moscow.</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Petrushkin</surname> <given-names>V.</given-names> </name>  </person-group>                  </element-citation> </ref>  <ref id="ref12"> <label>12</label> <citation-alternatives>   <mixed-citation xml:lang="en">Razin A. (2019). Ethics of Artificial Intelligence. Philosophy and Society. 1: 57–73. EDN: YPCXWS</mixed-citation>   </citation-alternatives> <element-citation publication-type="other">  <person-group person-group-type="author">  <name> <surname>Razin</surname> <given-names>A.</given-names> </name>  </person-group>        <fpage>57</fpage> <lpage>73</lpage>  <pub-id pub-id-type="custom" custom-type="edn">YPCXWS</pub-id>       </element-citation> </ref>  <ref id="ref13"> <label>13</label> <citation-alternatives>   <mixed-citation xml:lang="en">Shaip J. (2023). AI in the Music industry: The crucial Role of training data in machine learning models [Electronic resource]. – Access mode: https://ru.shaip.com/blog/training-data-for-music-ml-models/?ysclid=lo448l69q339791753 (date of application: 24.10.2023).</mixed-citation>   </citation-alternatives> <element-citation publication-type="web">  <person-group person-group-type="author">  <name> <surname>Shaip</surname> <given-names>J.</given-names> </name>  </person-group>            <ext-link ext-link-type="uri">https://ru.shaip.com/blog/training-data-for-music-ml-models/?ysclid=lo448l69q339791753</ext-link>      </element-citation> </ref>  <ref id="ref14"> <label>14</label> <citation-alternatives>   <mixed-citation xml:lang="en">Shwars I. Can artificial intelligence create art? (2020) [Electronic resource]. – Access mode: https://habr.com/ru/companies/microsoft/articles/497308/ (date of application: 24.10.2023).</mixed-citation>   </citation-alternatives> <element-citation publication-type="web">  <person-group person-group-type="author">  <name> <surname>Shwars I</surname> <given-names></given-names> </name>  </person-group>            <ext-link ext-link-type="uri">https://habr.com/ru/companies/microsoft/articles/497308/</ext-link>      </element-citation> </ref>  <ref id="ref15"> <label>15</label> <citation-alternatives>   <mixed-citation xml:lang="en">Solovyova D. (2021). How artificial intelligence composes music [Electronic resource]. – Access mode: https://lumos.art/music/ai-music/?ysclid=lo5m6vzone333843258 (date of application: 24.10.2023).</mixed-citation>   </citation-alternatives> <element-citation publication-type="web">  <person-group person-group-type="author">  <name> <surname>Solovyova</surname> <given-names>D.</given-names> </name>  </person-group>            <ext-link ext-link-type="uri">https://lumos.art/music/ai-music/?ysclid=lo5m6vzone333843258</ext-link>      </element-citation> </ref>  </ref-list> </back>  </book>