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List of publications on a keyword: «удмуртская поэзия»

  • Seasons in the Russian-language writing of the Udmurt poet V. Ar-Sergi

    Research Article
    Ethnic Culture Volume 5 No 2
    Author:
    Evgeniia V. Panteleeva
    Work direction:
    World languages and literature
    Abstract:
    The article is devoted to the study of the semantics of the seasons in the Russian-language poetry of the Udmurt poet and prose writer V. Ar-Sergi. The relevance of this work is caused by the fact that today artistic texts of national authors require a holistic conceptual analysis, since they are strongly influenced by Russian literature, which in turn affects their ethnocultural identity. The issue of preserving, strengthening and developing national language in the multilingual space of the Russian Federation is acute. The author undertook an analytical review of the problem on the material of the Ar-Sergi Russian-language poetry. During the study, traditional methods of literary research (quantitative, structural-semiotic, comparison and collation, method of holistic text analysis) were used. Both traditionally mythological and individual authorial realia associated with the perception of calendar natural changes are reflected in the poetic texts of Ar-Sergi. The degree of their semantic connectedness with traditional canons of Udmurt culture is determined. Comprehension of the natural passage of time is closely intertwined with the emotional and psychological plan of the works. The natural landscape axiologically becomes a theme for constant artistic reflection in the poetry of Ar-Sergi. The lexical units from the lexico-semantic group “seasons” have not only a certain temporal semantic load but also denote the internal emotional state of the lyric subject in the poetic texts of the Udmurt poet. The attention of the author is turned not only on his own worldview but also folk-mythological contexts of the whole ethnic group.
    Keywords:
    Udmurt Russian-language poetry, Udmurt folklore, mythopoetic of the seasons
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  • Haiku Form in Udmurt Poetry

    Research Article
    Ethnic Culture Volume 4 No 3
    Author:
    Victor L. Shibanov
    Work direction:
    World languages and literature
    Abstract:
    Japanese forms of verse are beginning to occupy an important place in the Udmurt poetry of recent times. In the 1990s, the dialogue of cultures was directed mainly to the West. In the new millennium, the internal mechanisms of culture begin to actualize the classical East. There comes a time of worldview and understanding of what is happening, haiku is becoming one of the popular genres. The purpose of the study is to identify national features of the haiku genre in the Udmurt lyrics. The object of analysis is the poems of A. Leontiev, S. Matveev and Alexei Arzamazov, written in the form of a Japanese three-line poem. The method of analysis is comparative studies. The results of the study are as follows. Udmurt poets, writing in the form of haiku, strive to see the big world in a small detail, to show the eternal in a moment. The autumn landscape becomes attractive in that it conveys “light sadness” (sabi). Thus, the poets do not copy the Japanese canons, but bring a national flavor. The unexpectedness of the finale (koan) in Udmurt haiku is usually achieved by the fact that the poet passes from one spatial dimension to another.
    Keywords:
    comparative studies, Udmurt poetry, haiku, koan, sabi
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  • Dialogue of Cultures in the Early Lyrics of the Udmurt Poet Flor Vasiliev

    Research Article
    Ethnic Culture Volume 3 No 4
    Author:
    Victor L. Shibanov
    Work direction:
    Special Theme of the Issue: Languages and Culture of Finno-Ugric people
    Abstract:
    The article is devoted to the analysis of lyrics by Flor Vasiliev (1934–1978) which is a new page in the history of Udmurt Soviet poetry. The young poet went beyond the generally accepted standards thanks to the rich literary context. This article is devoted to the study of the early lyrics of Flor Vasilyev in the aspect of the dialogue of cultures. The subject of analysis is poems written in the early 1960s. The purpose of the study is to identify and describe literary contacts with representatives of different cultures. The method of analysis is comparative studies. The result of the study is as follow: Flor Vasiliev introduces the names Remarque, Picasso, Grieg, Rembrandt into his poems to depict the general cultural atmosphere of Russia in the 1950s – 1960s, the poet follows the tradition of Russian pop lyrics. Interest in impressionism (Renoir and others) helps to hone style when portraying landscapes and the inner world of the hero. Irony begins to play a large role in the poems of early Flor Vasiliev, the poet learns in this direction from Heinrich Heine. Thus, thanks to the dialogue of cultures, there is a transition from «loud» to «quiet lyrics», humanistic traditions raise the poetry of Flor Vasiliev to a new qualitative level.
    Keywords:
    comparative studies, Udmurt poetry, dialogue of cultures, literary context
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  • Poeticheskaia letopis' voiny udmurtskikh pisatelei-frontovikov

    Proceeding
    History of culture, study of art and philology: modern points of view
    Authors:
    Tatiana I. Zaitseva, Elena N. Petrova
    Work direction:
    Филология
    Abstract:
    В статье рассматриваются идейно-тематические и жанровые особенности удмуртской поэзии 1941–1945 гг., созданной писателями-фронтовиками. Авторами описаны основные тенденции развития национальной поэзии периода Великой Отечественной войны. Впервые в научный оборот вводятся художественные тексты наиболее значимых удмуртских поэтов-фронтовиков.
    Keywords:
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