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List of publications on a keyword: «режиссер»

  • Implementation of the Technology of the Creative Pedagogical Workshop in the Professional Training of School Theater Managers

    Book Chapter
    Modern educational technologies: Pedagogy and Psychology
    Author:
    Elena M. Manasyrova
    Work direction:
    Глава 12
    Abstract:
    The chapter examines and analyzes the issues of professional competence and professional training of school theater managers. The chapter analyzes educational technologies used in the organization of professional training of teachers-directors in higher educational institutions of creative and pedagogical orientation. The educational technology of the creative pedagogical workshop is considered as a pedagogical system category. The structural components and stages of the development and implementation of educational technology are determined. The principles of professional activity of the master of the creative pedagogical workshop are outlined.
    Keywords:
    educational technology, school theater, head of the school theater, teacher-director, creative pedagogical workshop, principles of professional activity
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  • O vazhnosti izucheniia angliiskogo iazyka zvukorezhisserami audiovizual'nykh iskusstv

    Proceeding
    Socio-Pedagogical Issues of Education and Upbringing
    Authors:
    Andrei A. Lebedev, Gulnaz R. Sitdikova
    Work direction:
    Содержание и технологии профессионального образования
    Abstract:
    В статье рассмотрен вопрос важности изучения английского языка звукорежиссерами аудиовизуальных искусств. Авторами отмечена необходимость данных знаний при работе с озвучкой и дубляжом.
    Keywords:
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  • Reflection of Historical Time in Kazakh Documentaries

    Review Article
    Ethnic Culture Volume 4 No 2
    Author:
    Nazira R. Mukusheva
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The article deals with the unity of the national cultural heritage and historical time in Kazakh documentary films. The purpose of the article is to analyze the features of the use of time in the depiction of the spiritual world, national customs and traditions in the films of documentary film masters OrazAbishev, BakhytGafu-Kaiyrbekov and others. Based on the formal stylistic method, the significance of historical time in documentary films is explored. The author, considering the unity of the national cultural heritage and historical time in the Kazakh documentary, concludes that in the Kazakh documentary film, the reflection of the unity of the national cultural heritage and historical time has gone through several stages of formation, and was closely connected with the social, political phenomena taking place in the country. In conclusion, the stages of the formation of Kazakh documentary cinema are listed from the point of view of reflecting historical time and it is argued that: 1) the first stage is associated with the establishment of Soviet power in Kazakhstan, with the ideology and politics of socialism (1927–1930); 2) the second stage is connected with the reflection of people's memory and history on the documentary film screen in the conditions of the political, social atmosphere of Kazakhstan in the 1960s (1960–1970); 3) the third stage reflects the processes of returning to the origins of national consciousness, people's historical memory (1990–2020).
    Keywords:
    historical time, documentary film, cultural heritage, film character, film director
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  • Dynamics of Meanings in the Director's Theatrical Discourse of A.V. Efros in the Play "Three Sisters" (1967, 1982)

    Proceeding
    History of culture, study of art and philology: modern points of view
    Author:
    Viktoriia V. Sychina
    Work direction:
    Искусствоведение
    Abstract:
    В последнее время режиссерский дискурс все чаще обращает на себя внимание исследователей разных областей. В контексте статьи данное понятие рассматривается в качестве особого вида институционального дискурса, который функционирует, не только в самом театральном пространстве, но и за его пределами. Дискурсивные практики отражают разные по форме и содержанию результаты режиссерской деятельности. Среди них находятся и высказывания современников о творчестве постановщика. Спектакль А.В. Эфроса «Три сестры», поставленный по одноименной пьесе А.П. Чехова, исполненный на разных сценах и с разными театральными труппами, демонстрирует эволюцию авторских воззрений с течением времени по разным направлениям. Изменению подвергается отношение к персонажам, эмоциональное состояние, манера представления событий, сценическое оформление.
    Keywords:
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