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List of publications on a keyword: «переводческая рецепция»

  • The literary and translatory perception of A. N. Ostrovsky’s play "Without a dowry" in China

    Research Article
    Ethnic Culture Volume 5 No 3
    Authors:
    Mengqi Shen, Galina I. Modina
    Work direction:
    World languages and literature
    Abstract:
    The article is devoted to the reception of one of the most famous plays of A. N. Ostrovsky in China – “Without a Dowry”. The play belongs to the late period of the playwright's work and is characterised by a complex genre. In Russian literary studies it is considered as a socio-psychological drama with a bright lyrical beginning. The aim of the article is to give an idea of the translation, literary and literary perception of the play in China. The author of four versions of the play's translation into Chinese, Chen Bingyi, analyses the peculiarities of the play's translation. It reveals the main aspects of literary research on the play in China and examines the particular understanding of “Without a Dowry” by the playwright and translator Chen Baichen. By comparing the plots of A.N. Ostrovsky's drama and Chen Baichen’s drama “Love on a Steep Cliff”, the article highlights the influence of the character Katerina from the famous play “The Storm” on the interpretation of the female protagonist and the genre characteristics of “Without a Dowry”. The analysis demonstrates that Chinese translators, literary critics, and playwrights collectively perceive this psychological drama by Ostrovsky as a social drama within the historical and cultural context of 1940s China.
    Keywords:
    Ostrovsky, Without a Dowry, Love on a Steep Cliff, translation reception, literary reception, Chen Bingyi, Rogov, Chen Baichen
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  • The sonnet “Le vierge, le vivace et le bel aujourd’hui…” by s. Mallarmé in the translational interpretation of V. Bryusov

    Research Article
    Ethnic Culture Volume 5 No 1
    Author:
    Polina V. Li
    Work direction:
    World languages and literature
    Abstract:
    The article discusses the V. Bryusov’s translation reception of the poem by S. Mallarmé “Le vierge, le vivace et le bel aujourd’hui…”. The sonnet is an example of symbolist art, headed by S. Mallarmé in France, and first introduced to the Russian literary tradition by V. Bryusov. The analysis of the embodiment of S. Mallarmé’s poetic images in V. Bryusov’s translation is also important because both authors are renowned for their significant contribution to the world literature. S. Mallarmé created a new poetic language and was proclaimed a “prince of poets”, whereas V. Bryusov’s versatile creative work as well as publicism and translations earned him a status of the master of Russian symbolism. Currently there are more Russian translations of the sonnet “The Swan”, rather than any other language, and the very first one also belongs to V. Bryusov. The article considers the third and most well-known translation, the first to be named “The Swan”. The comparative analysis of the original text of the sonnet and its translation allows to identify the specificity of Bryusov’s perception of S. Mallarmé’s poetry and the peculiarities of the poetics of Russian symbolism.
    Keywords:
    poetry, Russian symbolism, French symbolism, translational reception, Bryusov, Mallarme
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