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List of publications on a keyword: «songs»

  • Reflection of the events of the Great Patriotic War in the song culture of the forties

    Proceeding
    University as a factor of Modernization of Russia: History and Prospects (to the 55th anniversary of the I.N. Ulyanov ChSU)
    Authors:
    Marina V. Sturikova, Mikhail S. Toporishchev
    Work direction:
    Наследие Великой Победы и преемственность поколений
    Abstract:
    In this article, the author examines the importance of song in the history of the Great Patriotic War, since songwriting created during these years is today an important tool for preserving historical memory, learning lessons from the past and striving to preserve peace. The article analyzes the composition of some songs both in terms of ideological content and musical form, shades, dynamics, etc. The article presents reasoned conclusions about the importance of preserving the song heritage of the forties for future generations.
    Keywords:
    analysis, content, The Great Patriotic War, songs, idea
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  • Ethnographic Notes of N. V. Nikolsky on the Chuvash People of the Village of Apanasovo-Temyashi

    Research Article
    Ethnic Culture Volume 4 No 2
    Author:
    Olga N. Egorova
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The work is devoted to the analysis of ethnographic records of the doctor of historical sciences, professor N. V. Nikolsky about the Chuvashs of the village of Apanasovo-Temyashi, Yalchik district of the Chuvash Republic, stored in the scientific archive of the Chuvash State Institute of the Humanities. The materials of the scientist are valuable historical sources that describe the general picture of the everyday life of the Chuvash village at the turn of the 19th-20th centuries. The collection of ethnographic material was carried out by the researcher through participant observation as part of his expedition. A special layer in the fund of N. V. Nikolsky is represented by Chuvash folk songs, which reveal links with modern vocal culture. The work is based on the analysis of archival documents in their relationship with historical events in general and the biography of N. V. Nikolsky in particular. The study aims to introduce newly discovered documents into scientific circulation, as well as song material, which is important from the point of view of folklore. The ethnographic materials of N.V. Nikolsky are important not only for the descendants of the inhabitants of Apanasovo-Temyashi: his work in the study of the history, ethnography, folklore and language of the Chuvash is of national importance.
    Keywords:
    Chuvash ethnography, Chuvash village at the turn of the 19th-20th centuries, Chuvash songs
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  • Genesis and Ritual Meaning of Belarusian «Volochobnye» Songs

    Research Article
    Ethnic Culture Volume 4 No 1
    Author:
    Rimma M. Kovaliova
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The article is devoted to the problems of the origin and ritual meaning of the spring «volochobnye» rituals of the Belarusian people. Those rituals have been analyzed through the mythological and ritual meaning of the «volochobnye» songs and in the comparison with the winter «Kolyada» rituals. The purpose of the article is discovering the common genre and mythological roots of the «volochobnye» and «kolyadnye» songs with attention to the reasons for different actualization of Christian motives. Based on the historical-genetic method, the origin of Belarusian «volochobnye» songs is associated with a chronomyth common to calendar rituals. Their ritual meaning is in magical recreation of the chronomyth through actualization of certain chrono-images, chronomotives, plot chronosituations in the songs. It has been revealed that the «kolyadnye» and «volochobnye» songs, which differ in the time of performance, look like the heirs of the hymnic archegenre, which arose from the most ancient magical exclamations through the development of a meaningful text. Both cycles retain common archaic features, but the genetic connection with the Christian ideology in the «volochobnye» songs is clearly higher due to the ritual integration of different calendars – natural, labor, and Christian. «Kolyadnye» and «volochobnye» songs correlate with parallel calendar systems, which is a consequence of the former dialectic nature of the ritual culture of the ancestors of the Belarusians. It has been concluded that with a certain coincidence of the areas of «kolyadnye» and «volochobnye» songs, the core of the latter is in Polesye, which can be considered as a result of the former dialectic nature of the calendar and ritual culture of the proto-Belarusian tribes, the parallel existence of different calendar systems and thereby close the problem of the historical primogeniture of either «volochobnye» songs or «kolyadnye» songs as scientifically irrelevant.
    Keywords:
    «volochiobnye» songs, «kolyadnye» songs, chronomotives, hymnic archegenre
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  • Modern Song as a One-Size-Fits-All Means of Implementing a Competence-Based Approach in Teaching French

    Proceeding
    The Development of Modern Education in the Context of Pedagogical Competenciology
    Authors:
    Tatiana A. Selezneva, Mariia V. Kharlamova
    Work direction:
    Теория и методика развития образовательных компетенций обучающихся
    Abstract:
    This paper considers the problem of the use of contemporary songs during French lessons. Its relevance lies in the fact that reflecting realities of today’s modern life, songs are a source of linguacultural material. Inspired in their scientific method by the competence approach in teaching foreign languages, the authors set a goal to examine the selection criteria of songs and to propose the basic principles of work with songs. Providing examples, the authors show that the use of these texts entails building and firmly establishing all the necessary foreign language skills: listening, reading, writing, speaking, underlining the universal character of the use of this method and its practical significance in future.
    Keywords:
    competence, communicative competence, language skills, competence-based approach, song, role of songs
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  • Representation of the Concept Jumo "God" in Mari Folk Songs

    Research Article
    Ethnic Culture No 1 (1)
    Author:
    Lubov A. Abukaeva
    Work direction:
    History and Theory of Art Questions
    Abstract:
    The article is devoted to the analysis of the religious views of Mari, which are reflected in such genres of folklore as guest and wedding songs. The purpose of the article is to identify ways and means of representing the concept of humo «god» in Mari folk songs. Research methods: continuous sampling, comparative method, component analysis. Results, discussion. The following characters of the Mari pantheon are represented in the songs: the Bright God, the predecessor, the mother of God, the mother of the earth, the mother of wealth, the angel, the daughter of God, the prophet, the daughter of the prophet, the son of the prophet, and the bridegroom prophet. Conclusion. The content of folk songs also presents some stories from mythology, fragments of religious rites and the foundations of the creed of the Mari traditional religion.
    Keywords:
    concept, folk songs, guest songs of Mari, religious views
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