The Topical Issues of the Humanities and Social Sciences: from Theory to Practice
- Authors:
- Yu xi Sun, Ariunaa Shajinbat
- Work direction:
- Вопросы культурологии
- Abstract:
- The art of Chinese painting is a product of the joint creation of men and women. However, based on the differences in the physiological structure and psychological feelings of male and female subjects, female painters naturally reveal their delicate feelings and unique perspectives in their paintings. Especially in the late Ming and early Qing dynasties, boudoir painters, by virtue of their close ties with family life, made introspective observations of life through a unique female perspective. In their works, they often presented subjects such as motherhood, love, and life in the boudoir, which were neglected by male painters, thus expanding the spiritual and perceptual realm of the art of painting in a way that was difficult for mainstream male painters to reach. Therefore, it is of great significance to explore the contribution of women's perspectives to Chinese painting, and to provide a new way of thinking about the status of women in the field of art.
- Keywords:
- late Ming dynastie, early Qing dynastie, boudoir painting, female perspective
The Topical Issues of the Humanities and Social Sciences: from Theory to Practice