Polina V. Li

the article discusses the V. Bryusov’s translation reception of the poem by S. Mallarmé “Le vierge, le vivace et le bel aujourd’hui…”. The sonnet is an example of symbolist art, headed by S. Mallarmé in France, and first introduced to the Russian literary tradition by V. Bryusov. The analysis of the embodiment of S. Mallarmé’s poetic images in V. Bryusov’s translation is also important because both authors are renowned for their significant contribution to the world literature. S. Mallarmé created a new poetic language and was proclaimed a “prince of poets”, whereas V. Bryusov’s versatile crea...