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List of publications on a keyword: «кинематограф»

  • Analysis of cinematic images and their psychocorrectional meanings

    Proceeding
    Education, innovation, research as a resource for community development
    Author:
    Svetlana A. Solovyova
    Work direction:
    Социальные процессы и образование
    Abstract:
    Cinema, as one of the most influential forms of art, has a significant impact on the formation of human perception, emotional state and behavior. This article examines the phenomenon of the cinematic image as a complex artistic structure capable of performing not only an aesthetic, but also a psychocorrectional function. The research is aimed at identifying the mechanisms of the impact of cinematic images on the psychoemotional state of the viewer and analyzing their potential use in the framework of psychotherapeutic practice.
    Keywords:
    empathy, reflection, art therapy, psychocorrection, cinematography, identification, projection, psycho-emotional state, cinematic image, emotional impact, psychotherapy, catharsis, behavior modeling, film therapy, archetypes
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  • Iz opyta analiza upotrebleniia kul'tovykh fraz v povsednevnoi rechi studentov neiazykovykh vuzov na primere angliiskogo iazyka

    Proceeding
    The Topical Issues of the Humanities and Social Sciences: from Theory to Practice
    Authors:
    Elena V. Krekhtunova, Egor A. Evseev
    Work direction:
    Филология в системе образования
    Abstract:
    В статье рассматривается влияние английского языка на повседневную речь и культуру через призму использования культовых фраз, ставших символами различных эпох и событий. Авторы предлагают читателям ознакомиться с историей возникновения нескольких знаковых фраз, таких как "Houston, we have a problem" и "May the Force be with you", а также представляют результаты опроса, проведенного среди изучающих английский язык. Опрос включает в себя вопросы на знание культовых цитат из англоязычного кинематографа, а также анализирует их значение и контекст. В статье подчеркивается важность этих фраз как культурных, временных маркеров и их влияние на изучение иностранного языка.
    Keywords:
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  • Elusive corporeality: the utopian potential of contemporary cinema in the light of Michel Foucault's ideas

    Proceeding
    Current trends in the development of education system
    Author:
    Anastasia S. Bolshakova
    Work direction:
    Культурологический подход в образовании
    Abstract:
    In the context of the modern super-technological, technofetishist paradigm, the category of corporeality is fundamentally transformed, and the phenomenon of the body is increasingly conceptualised and interpreted through notions of formless, structureless formations that exist as a configuration of surfaces (screen body, antibody, body without organs, zero body, body without space). In the context of a technologised, digital environment, with the development and spread of transhumanist ideas, a number of philosophical problems become particularly relevant, among them going beyond the limits of the human, the body's detachment from its own topography, and the elusiveness of subjectivity. This article attempts to describe these metamorphoses on the example of Julia Ducournau's film "Titan", based on the concept of utopianisation of the body proposed by Michel Foucault in 1966 as part of the radio programme "French Culture".
    Keywords:
    double, body, corporeality, utopia, heterotopia, cinematic body, utopian body, technologisation, subjectivity, topography of the body
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  • Reflection of the problems of the digital age in cinematic reflection: the image of the Double

    Proceeding
    Pedagogy, Psychology, Society
    Author:
    Anastasia S. Bolshakova
    Work direction:
    Социальная философия
    Abstract:
    The article attempts to consider the relationship between the Self and the Double through the prism of modern cinema, which, being an integral part of the culture of the digital age, esthetically reveals the problem of the duality of the human Self. On the example of the film "The Enemy" by D. Villeneuve, we observe the process of splitting the subject, the meeting of a person with his double. It is assumed that digitalization makes it possible to consider the Cartesian conclusion about doubt in a new way. Doubt is an indicator of a failure in the measured existence of a person, causing a double to come to life, while the double, in turn, doubts you, emphasizing the presence of yourself and you, who gave birth to him. “I think, therefore, my twins exist” is a thesis that characterizes the modern digital reality in which a person resides due to the constant alienation of a part of his Self, his self-consciousness into virtuality.
    Keywords:
    double, Other, cinematography, mirror, doubt
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  • Aesthetics of New Age Chinese Cinematography

    Proceeding
    Current trends in the development of education system
    Authors:
    Ariunaa Shazhinbat, Khas-Erdene Ishnorov
    Work direction:
    Социальные процессы и образование
    Abstract:
    The following article is devoted to the development of cinematography in China. The authors offer the contemplation of journey which the Chinese cinematography undertook. Of peculiar significance to the work is the idea of different aesthetics, from “political cinema” to “ideological pictures”. To summarize the article, researchers underline the originality of Chinese cinema and its inseparability from the cultural identity of the nation.
    Keywords:
    aesthetics, Chinese cinematography, new age cinema in China
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  • Thomas Winterberg's Danish Experiments

    Research Article
    Ethnic Culture Volume 3 No 1
    Author:
    Eduard O. Krank
    Work direction:
    History and Theory of Art Questions
    Abstract:
    The article is devoted to the work of the Danish film director T. Winterberg. The aim of the article is to study the plot originality of the stories told by T. Winterberg by methods of cinema, to understand the genre specificity of his films, highlighting the experiment as the most significant component of their artistic and mental originality. Descriptive, hermeneutic, diachronic, historical-genetic, comparative, analytical and biographical methods, used in a complex manner, allow one to come to certain conclusions. These conclusions are that T. Winterberg's cinematography relies on experiment as a way of plotting, which determines the genre character of the director's films. This is confirmed by the luck that accompanied exactly those films of T. Winterberg, which are built on Danish material, and the much less success of films created on plots that are associated with other toposes (Soviet, American, British). T. Winterberg became world famous after the release of the film "Family Celebration", made within the framework of such originally Danish phenomenon as «Dogma-95». Collation of the author's manner of T. Winterberg with the master of Danish (and world) cinema and originator of «Dogma» L. von Trier allows us to compare the ways of organizing the narrative of two famous film directors: if L. von Trier's films are based on provocation, then T. Winterberg – exactly on experiment. Being rooted on national soil, this experiment transcends ethnic narrow-mindedness itself, acquiring a universal, between-national character.
    Keywords:
    Danish cinema, Dogma 95, Thomas Winterberg, existential experiment, Lars von Trier, film narration
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  • National Cinematograph and National Mind-Set

    Research Article
    Ethnic Culture No 1 (2)
    Author:
    Eduard O. Krank
    Work direction:
    Problems of Ethnic Cultures Preservation
    Abstract:
    The article is devoted to the problem of national cinematograph in the conditions of the dominance of mass cinema products at the market, especially the American film industry. Paradigms and criteria in the definition of national (ethnic) cinema are presented. The aim of the article is to confirm its working hypothesis, which is that the development of national cinematograph becomes significant only when, reproducing by filming their own narratives, imbued with national mind-set, the authors create cinematographic artifacts with their own manner, style, language, which is able to develop and enrich the film language. The descriptive and analytical methodology used in conjunction with the historical and genetic method allows us to come to certain conclusions. These findings consist in the position that such national cinematograph becomes pervasive, which is permeated by the national mind-set and at the same time responds to both ethnic and world cultural challenges, creates national narratives that due to their relevance become meta-ethnic narratives. An analysis of the existing definitions and properties of what should be understood as national cinematograph allows one to discuss the topic of what the essence of national cinema is: in the local and regional desire to establish itself as having a right to exist, or in the meta-ethnic aspect, which allows national cinema to become a direction in cinema. Thus, the necessary property of national cinematograph for its equal existence among others, the author singles out such a feature as the situation of passionarity in which the nation lives. Its mind-set creates its own national narrative, and therefore its own cinema language. The article is the part of a fundamental study on the theory of cinema, in which the main points are categories such as "film narrative", "conventionality of cinematograph" and "film language".
    Keywords:
    ethnic culture, national cinematograph, national mind-set, German film expressionism, new wave, Ingmar Bergman, dogme 95, film language, film narrative
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  • Aktual'nye problemy razvitiia kinoproizvodstva Rossii v sovremennykh usloviiakh

    Article in Collection
    Economics and management: realias and prospects No 2
    Author:
    Konstantin B. Smirnov
    Work direction:
    Экономика предпринимательства, организация и управление предприятиями, отраслями, комплексами
    Abstract:
    В статье рассматриваются ключевые современные тенденции отечественного рынка кинематографии, включая кинопроизводство, кинопрокат и кинопоказ. Исходя из рассматриваемых тенденций, автором выделены и обозначены основные проблемы развития кинематографии, требующие решения и имеющие системный характер возникновения.
    Keywords:
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  • Prospects of film education in Russia

    Research Article
    Development of education No 2 (2)
    Author:
    Tatyana S. Ivashchenko
    Work direction:
    Discussion
    Abstract:
    Information visualization is becoming the most common method of popularizing educational areas. Serious attention should be paid to the problem of the correlation between the «book word» and «visual image», which can be regarded as a ratio of screen arts, first of all cinema, and literature in the system of secondary and higher education. Movie perception is a complex cognitive process. Accordin to the author`s opinion the development of film education in Russia will contribute to the education of a generation of active moviegoers.
    Keywords:
    education, literature, cinema, visual culture, pedagogical community, film education association
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