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List of publications on a keyword: «музыкальный фольклор»

  • Composer A. A. Egorov in the History of the Musical Culture of Chuvashia

    Review Article
    Ethnic Culture Volume 4 No 4
    Author:
    Lyubov I. Bushueva
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    The article is devoted to the creative connections of the famous Soviet conductor and composer A.A. Egorov with the musical culture of Chuvashia in the 1930s. The purpose of the work is to recreate the historical picture of these connections, to determine his contribution to the Chuvash art and to identify the characteristic features of the interpretation of the national song folklore. The material of the study was musical texts of works by A.A. Egorov (first of all, the author’s collection «Folk Songs Arranged for Mixed Choir by A. Egorov»), as well as his theoretical and methodological work in the field of choral arrangement of folklore primary sources. Using the analytical method, the author traces the history of the appearance of choral arrangements by A.A. Egorov on the themes of Chuvash folk songs, the musical and poetic text of the most popular work «Kolkhoz uy-khire» («Kukkuk») («Kolkhoz fields» («Kukushka», «Kukuk!”)) is analyzed. It is concluded that the communication of A. A. Egorov with the head of the team the Chuvash composer V. P. Vorobyov inspired him to create ten miniatures for a cappella choir. Among the Chuvash adaptations, the most popular was «Kolkhoz uy-khire» («Kukkuk») – «Collective Farm Fields» («Kukushka»). Her undoubted success in the artistic culture of the 1930s let us explain not only the folklore theme successfully chosen by the composer, the organic interaction of the found methods of arranging the folklore source with the typical features of A. Egorov’s creative style as a whole, but also the masterful use of all musical and expressive resources. Together with other works by A.A. Egorov’s adaptation of «Kolkhoz uy-khire», included in the golden fund of Russian choral literature, can be called a classic of the musical art of Chuvashia.
    Keywords:
    musical folklore, Egorov, Vorobyov, Chuvash State Choir, choral arrangement
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  • Chuvash Folklore in the Creative Work of Performing Musicians and Music Teachers of Chuvashia

    Review Article
    Ethnic Culture Volume 4 No 1
    Author:
    Lyubov I. Bushueva
    Work direction:
    Ethno-Cultural Problems of Education
    Abstract:
    The article is devoted to the study of the creative experiences of Chuvash amateur authors – performers and teachers who created compositions based on national musical folklore. The purpose of the work is to draw the attention of musicians of Chuvashia to the valuable Chuvash composer and performer creativity and to promote the introduction of the creative heritage of performers and teachers of the past into the educational process of institutions of additional and professional education. The subject of the study was the compositions of performers and teachers, created by them on the material of Chuvash musical folklore. Based on the methods of theoretical analysis, the author traces the history of the development of pedagogical and instructional direction in Chuvash music, and reviews existing textbooks. The author pays special attention to the Piano Chrestomathy by O. Ya. Agakova. It is concluded that folklore takes a significant place in the creative practice of Chuvash performers and teachers of musical disciplines. This, on the one hand, is due to the powerful potential of folklore and the relatively late formation of Chuvash professional music, on the other. Such developments have educational potential and are a valuable source of performing repertoire. The development of music education in the Chuvash Republic is unthinkable without relying on existing traditions and developing new textbooks.
    Keywords:
    Chuvash music, musical folklore, educational and methodical manual, Agakova, Maksimov
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  • Semeinye fol'klornye kollektivy kak sredstvo formirovaniia etnokul'turnoi identichnosti molodezhi

    Proceeding
    History of culture, study of art and philology: modern points of view
    Authors:
    Aksinia E. Nikitina, Viktoriia V. Putilovskaia
    Work direction:
    Искусствоведение
    Abstract:
    Определяется влияние семейных фольклорных коллективов на формирование этнокультурной идентичности, основные средства и формы работы. В настоящее время интерес к культуре казаков возрос также в связи с процессом возрождения казачества, который протекает и в нашей станице Добринке Урюпинского района. Песня, игравшая важнейшую роль в поддержании казачьих традиций, являлась самым распространенным фольклорным жанром. Она сопровождала казака везде, была его непременным спутником в горе, в радости, в военном походе, домашних хозяйственных делах. Среди обычаев и традиций народов России фольклорная культура казаков занимает достойное место. Интерес к ней вызван самобытностью и разнообразием, а также той важной исторической ролью, которую сыграло казачество в истории России. Лирические песни, танцы казаков с интересом смотрят миллионы зрителей. Фольклор – важнейшая составляющая казачьего менталитета, форма народной памяти об исторических событиях, форма закрепления и передачи накопленного социального опыта, важнейшее средство сохранения и передачи бытовой культуры и боевых традиций, а также неотъемлемая часть и средство казачьей народной педагогики.
    Keywords:
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  • Problema sokhraneniia traditsionnoi russkoi pesennoi kul'tury (na primere sobrannogo pesennogo materiala khutora Subbotin Mikhailovskogo raiona Volgogradskoi oblasti)

    Proceeding
    Sociological and pedagogical aspects of education
    Authors:
    Roza N. Asrian, Viktoriia V. Putilovskaia
    Work direction:
    Социальная педагогика
    Abstract:
    В статье раскрываются ситуации развития таких важных критериев, как общительность, артистизм, личностные качества, мотивация, патриотизм, интерес к русской культуре, традициям своего народа.
    Keywords:
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