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List of publications on a keyword: «painting»

  • Analysis of the female perspective in boudoir paintings in the late Ming and early Qing dynasties

    Proceeding
    The Topical Issues of the Humanities and Social Sciences: from Theory to Practice
    Authors:
    Yu xi Sun, Ariunaa Shajinbat
    Work direction:
    Вопросы культурологии
    Abstract:
    The art of Chinese painting is a product of the joint creation of men and women. However, based on the differences in the physiological structure and psychological feelings of male and female subjects, female painters naturally reveal their delicate feelings and unique perspectives in their paintings. Especially in the late Ming and early Qing dynasties, boudoir painters, by virtue of their close ties with family life, made introspective observations of life through a unique female perspective. In their works, they often presented subjects such as motherhood, love, and life in the boudoir, which were neglected by male painters, thus expanding the spiritual and perceptual realm of the art of painting in a way that was difficult for mainstream male painters to reach. Therefore, it is of great significance to explore the contribution of women's perspectives to Chinese painting, and to provide a new way of thinking about the status of women in the field of art.
    Keywords:
    late Ming dynastie, early Qing dynastie, boudoir painting, female perspective
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  • Methodological aspects of teaching technologies of art painting on fabric: analysis of typical mistakes of students

    Proceeding
    Current trends in the development of education system
    Author:
    Aigul L. Faizrakhmanova
    Work direction:
    Образовательный процесс в высшей профессиональной школе
    Abstract:
    The article presents an analysis of the typical mistakes of students in the process of performing practical and creative work in the discipline "Art painting on fabric". Based on fragments of student papers with defects, ways to eliminate these errors are described.
    Keywords:
    typical mistakes, cold batik, technology of artistic painting on fabric, methodological aspects
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  • Osvoenie budushchimi ekskursovodami antichnogo naslediia v protsesse professional'noi podgotovki v vuze

    Book Chapter
    Pedagogy and Psychology of Modern Education
    Authors:
    Svetlana F. Maslennikova, Anna A. Medvedeva
    Work direction:
    Глава 8
    Abstract:
    The chapter reveals some specific aspects of the study of Ancient Greek heritage by students of Ural State Forestry University (Yekaterinburg) studying in the field of tourism in the course of "Stylistic Concepts in World Art". The authors draw the following conclusion: using the example of mastering and reinterpreting the artistic heritage of Ancient Greece by artists, sculptors, masters of different nations and times, it is possible to successfully form knowledge, abilities and skills, competencies of future tour guides during professional training, because in this way they develop intellect, broaden outlook, develop communication abilities, the ability to prepare material for audio, video and virtual tours.
    Keywords:
    ancient Greece, professional training, painting, sculpture, museums of the world, guide, ancient heritage, Trojan war
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  • Development of Students’ Creative Abilities in the Process of Learning in Art Disciplines

    Book Chapter
    Pedagogy and Psychology of Modern Education
    Author:
    Irina N. Polynskaya
    Work direction:
    Глава 7
    Abstract:
    The relevance of the study is due to the problem of developing the creative abilities of students of artistic orientation in education. In art universities, the problem of teaching the creative potential of students is acute. Therefore, it is important in the educational process to form the creative potential and artistic and creative abilities of students, depending on their aesthetic needs. Of particular importance is revealed the concepts of artistic image, form and content of the creative work of future artists. It is important to subordinate the entire educational process to the fulfillment of the main tasks of the professional development of young artists.
    Keywords:
    education, students, abilities, composition, painting, artistic image, creative process, artistic orientation, Aesthetic education, drawing
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  • REALIZATION OF THE EDUCATIONAL POTENTIAL OF RUSSIAN PAINTING IN THE PROCESS OF PROFESSIONAL TRAINING OF FUTURE TOURISM SPECIALISTS

    Proceeding
    Socio-Pedagogical Issues of Education and Upbringing
    Authors:
    Svetlana F. Maslennikova, Elena A. Slobodina, Nikolai S. Zykin, Anna A. Medvedeva
    Work direction:
    Содержание и технологии профессионального образования
    Abstract:
    In the article, the authors reveal the features of the study of some art disciplines by future tourism specialists. Examples of the impact on the personality of the art of Russian artists are described. Excerpts from the mini-compositions of students about their favorite painting in the Tretyakov Gallery are given.
    Keywords:
    Russian painting, Borovikovsky, tourism specialist, educational potential of art
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  • Literary Translation Into English of Peter Khuzangai’s Poem “The Poet”

    Research Article
    Ethnic Culture Volume 4 No 2
    Authors:
    Svetlana N. Vasilyeva, Anna V. Gordeeva
    Work direction:
    Languages of the Nations of the World
    Abstract:
    The purpose of the article is to present a literary translation into English of P. Khuzangay’s poem «A Poet» and to make a comprehensive analysis of it. The object of the study is the text of P. Khuzangay’s poem «A Poet» and the literary translation of S. N. Vasilyeva «A Poet». The novelty of the work lies in the fact that a literary translation and a comprehensive analysis of this poem were carried out for the first time. Based on the methods of analytical reading, theoretical analysis of literature, search, contextual analysis, comparative analysis, the language of the work (morphology, syntax, vocabulary, style) is considered and the relationship between the ideological and artistic conception of the poem with its linguistic features is revealed. The methods used in the process of literary translation made it possible to preserve the idea of the poem, the features of the composition and to select the appropriate means of artistic expression. In the work of P. Khuzangay, the philosophical problem of the poet's destiny and his work is touched upon. The composition of the poem is three-part, the size is a three-foot trochee with cross-rhyming throughout the entire poem, the intonation is narrative. The translation was made using the technique of rhetorical exclamation. The temporal organization is interesting: throughout the poem, verbs are transmitted in the present tense. The translation is dominated by complex sentences. As a rule, a stanza corresponds to one sentence. Alliteration and assonance are used to enhance sound expressiveness and achieve speech imagery.
    Keywords:
    Chuvash literature, literary translation, rhythmic pattern, means of expression, sound writing, colour painting
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  • Art as a Cipher of Transcendence

    Proceeding
    History of culture, study of art and philology: modern points of view
    Author:
    Marina M. Novikova
    Work direction:
    Искусствоведение
    Abstract:
    The article is devoted to the problems of artistic creativity at the end of XX - beginning of XXI centuries, defining its role in modern culture; culturological, art history and aesthetic concepts of modern art are analyzed in the article.
    Keywords:
    aesthetics, painting, sculpture, graphics, artistic creativity, modern art, culturology, art history, artistic space
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  • The Development of Modern Art in Mongolia: On the Example of Mongolian Modern Painting of the Late Twentieth and Early Twenty-First Centuries

    Research Article
    Ethnic Culture Volume 3 No 3
    Author:
    Selenge Tumur-ochir
    Work direction:
    Ethnography, Ethnology and Anthropology
    Abstract:
    Modern art in Mongolia has been developing since the last century. The art appeared as a result of artists’ ideas, expression of national mentality and other factors. As some researches said: “Mite of the abstract paintings were established in Hun states, because when this times, all of the people to the paint-ed effect of their mind on the rock of cave” on their tractate book. That says that the abstract paintings was established at that time, but according to other sources it was developed in 1960. For example, in 1968 Mongolian young painters orga-nized an exhibition named: the first exhibition of young painters. Then, in 1980 modern and contemporary arts started developing. The purpose of the study is to analyze the development and classification of modern art in the late twentieth and early twenty-first centuries, which are kept in art galleries. The study was con-ducted in the following steps: to study modern Mongolian art and to identify cur-rent trends in its evolution. The study classified 2,333 paintings. Consequently the next conclusions were drawn: abstractionism, post-impressionism, and im-pressionism were more developed in modern paintings created in 1990–2000. Modern paintings created in 2000–2009, on the other hand, were more developed in abstraction, fauvism, surrealism, and symbolism. This shows that modern Mongolian artists prefer abstract and symbolic paintings. Before 1990, there was a lot of realism, but since 1990, modernism has developed a lot and has become a major trend.
    Keywords:
    development, classification, modern Mongolian paintings, analyze
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  • FORMATION OF PROFESSIONAL COMPETENCIES FOR FUTURE BACHELORS OF TOURISM IN THE PROCESS OF TRAINING

    Proceeding
    Socio-Pedagogical Issues of Education and Upbringing
    Author:
    Svetlana F. Maslennikova
    Work direction:
    Содержание и технологии профессионального образования
    Abstract:
    The article reveals some aspects of mastering professional competencies by students studying in the direction of training 43.03.02. Tourism, in the process of studying the course "World culture and art". On the example of the work of the French impressionist artist E. Manet, the originality of the artistic direction "impressionism" and its characteristic features are shown.
    Keywords:
    professional competence, painting, tourism, impressionism, Manet
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