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List of publications on a keyword: «poetry»

  • Signs of postmodernist style and poetic skill in the poems of Serik Aksunkaruly

    Proceeding
    The development of modern education in the context of educational competence
    Authors:
    Gulnar T. Omarova, Asiia S. Al'bekova, Gul'zhikhan A. Kukenova
    Work direction:
    Современные подходы в обучении и воспитании
    Abstract:
    This paper explores the postmodern features in the poetry of Serik Aksunkaruly, one of the most spiritual figures in modern Kazakh literature. It examines how his work blends deep national symbolism, historical and cultural allusions, and elements such as fragmentariness, reminiscence, and pluralism. Through poems like "Hey, Baibori, Baibori", "Mozart and Salieri (Modern Version)", and "Homo Soveticus", the paper analyzes how Aksunkaruly expresses resistance, identity, and artistic integrity. His poetic style, rooted in classical tradition yet shaped by postmodernist methods, reveals a strong civic stance and spiritual depth, making him a significant representative of postmodern Kazakh poetry.
    Keywords:
    spirituality, postmodernism, pluralism, national identity, reminiscence, Kazakh poetry, fragmentariness, allusion, literary symbolism
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  • Formation of Udmurt rap

    Research Article
    Ethnic Culture Volume 6 No 4
    Author:
    Victor L. Shibanov
    Work direction:
    World languages and literature
    Abstract:
    Udmurt rap was an attempt to expand the horizons of the national literary and musical culture of the early 21st century, which was dominated by ethnofuturism at that time. The object of analysis is the Udmurt-language rap texts of P. Shibanov, B. Anfinogenov and A. Pikulev, who released their albums in the period 2008–2018. The purpose of the study is to identify the national characteristics of Udmurt rap texts. The leading research method is descriptive-analytical, using comparative techniques. The results of the analysis are as follows. P. Shibanov depicts the life of Udmurt students in a dormitory; adaptation to the modern city is presented in different aspects. B. Anfinogenov writes his texts in the style of an ethno-soundtrack, mixing Udmurt, Russian and English. His hero is self-sufficient in that he is an Udmurt and can represent his nation in the global world. A. Pikulev is paving the way from the rap subculture to the artistic and literary beginning; images of nature occupy an important place. Udmurt rap is not an expression of protest sentiments; it is aimed at improving the status of the native language.
    Keywords:
    Udmurt poetry, rap, ethno-soundtrack
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  • Reflection of national mythology in Chuvash poetry

    Research Article
    Ethnic Culture Volume 6 No 4
    Author:
    Vera V. Nikiforova
    Work direction:
    World languages and literature
    Abstract:
    The interaction of myth and literature is an urgent literary problem. Mythological themes, plots, motifs, and images are used and reinterpreted in Chuvash literature throughout its history. The main purpose of this study is to study the peculiarities of the reflection of mythology in Chuvash poetry. The most striking poetic works of Chuvash authors, created within the chronological boundaries of the XX – early XXI century, in the structure of which mythological elements play an important role, served as materials for the study. The main ones are descriptive and systematic methods. For the first time, the article presents an overview analysis of Chuvash poetry of the XX – early XXI century from the point of view of the stated theme. Her study demonstrated that the myth is noticeably reflected in poetic works. They reveal the structural and meaningful elements of myth, as well as signs of mythological thinking and mythological worldview. The conducted research has shown that myth is one of the sources of artistic creativity. In the future, it is supposed to analyze the features of the functioning of myth in prose and drama. The results obtained can be used in the study of the problem of national identity in Chuvash literature.
    Keywords:
    mythology, myth and literature, Chuvash poetry, XX – early XXI centuries
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  • Studying the theme of the Great Patriotic War in the literature of the twentieth century by foreign students in Russian universities

    Proceeding
    University as a factor of Modernization of Russia: History and Prospects (to the 55th anniversary of the I.N. Ulyanov ChSU)
    Author:
    Lena R. Bakirova
    Work direction:
    Новые подходы в изучении истории Великой Отечественной войны
    Abstract:
    The article is devoted to the study of the theme of the Great Patriotic War in the literature of the twentieth century in a foreign audience. Using the example of two classes devoted to the study of the topic, the author of the article examines the main stages of practical classes in literature for foreigners: the introductory part, the introduction of the lexical minimum, working with the text, completing assignments to the text, watching a fragment of a film, the final part.
    Keywords:
    foreign students, literature, prose, poetry, the theme of war, stages of the lesson
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  • Poetic topolectization in the formative years of the Chinese “new poetry”

    Research Article
    Ethnic Culture Volume 5 No 3
    Author:
    Yulia A. Dreyzis
    Work direction:
    World languages and literature
    Abstract:
    The paper explores the infiltration of topolect into the poetry of Liu Bannong and Crescent Moon Society authors, induced by the Folksong Collection Movement, often labeled as introducing vernacular into poetry. The language of Liu Bannong’s New Poetry presents a complex hybrid between the emerging literary norm, local Beijing vernacular and his native lect of the northern Taihu region. Many contemporaries noted his poetry’s merits and his invaluable contribution to New Poetry development, greatly facilitated by Liu Bannong’s professional linguistic training. Following Liu Ban Nong’s footsteps, the Crescent Moon Society suggested experimenting with a new poetic language through the prism of the vernacular. Theorizing was supported by poetic practice: the authors of the Crescent Moon Society included topolect vocabulary in the texts abundantly, and directly marked individual poems as colloquial. In addition to inlaying topolect vocabulary or including large fragments of text written in topolect, topolectization was also carried out through rhyming. Despite the fact that further influence of this topolect poetry remained underestimated, the emerging connection between topolect and the authentic embodiment of the idea of a national language has become important for any discussion about language reform in the new China.
    Keywords:
    oral and written dichotomy, Chinese language, contemporary poetry, topolect poetry, vernacularization, Liu Bannong, Crescent Moon Society
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  • Seasons in the Russian-language writing of the Udmurt poet V. Ar-Sergi

    Research Article
    Ethnic Culture Volume 5 No 2
    Author:
    Evgeniia V. Panteleeva
    Work direction:
    World languages and literature
    Abstract:
    The article is devoted to the study of the semantics of the seasons in the Russian-language poetry of the Udmurt poet and prose writer V. Ar-Sergi. The relevance of this work is caused by the fact that today artistic texts of national authors require a holistic conceptual analysis, since they are strongly influenced by Russian literature, which in turn affects their ethnocultural identity. The issue of preserving, strengthening and developing national language in the multilingual space of the Russian Federation is acute. The author undertook an analytical review of the problem on the material of the Ar-Sergi Russian-language poetry. During the study, traditional methods of literary research (quantitative, structural-semiotic, comparison and collation, method of holistic text analysis) were used. Both traditionally mythological and individual authorial realia associated with the perception of calendar natural changes are reflected in the poetic texts of Ar-Sergi. The degree of their semantic connectedness with traditional canons of Udmurt culture is determined. Comprehension of the natural passage of time is closely intertwined with the emotional and psychological plan of the works. The natural landscape axiologically becomes a theme for constant artistic reflection in the poetry of Ar-Sergi. The lexical units from the lexico-semantic group “seasons” have not only a certain temporal semantic load but also denote the internal emotional state of the lyric subject in the poetic texts of the Udmurt poet. The attention of the author is turned not only on his own worldview but also folk-mythological contexts of the whole ethnic group.
    Keywords:
    Udmurt Russian-language poetry, Udmurt folklore, mythopoetic of the seasons
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  • The sonnet “Le vierge, le vivace et le bel aujourd’hui…” by s. Mallarmé in the translational interpretation of V. Bryusov

    Research Article
    Ethnic Culture Volume 5 No 1
    Author:
    Polina V. Li
    Work direction:
    World languages and literature
    Abstract:
    The article discusses the V. Bryusov’s translation reception of the poem by S. Mallarmé “Le vierge, le vivace et le bel aujourd’hui…”. The sonnet is an example of symbolist art, headed by S. Mallarmé in France, and first introduced to the Russian literary tradition by V. Bryusov. The analysis of the embodiment of S. Mallarmé’s poetic images in V. Bryusov’s translation is also important because both authors are renowned for their significant contribution to the world literature. S. Mallarmé created a new poetic language and was proclaimed a “prince of poets”, whereas V. Bryusov’s versatile creative work as well as publicism and translations earned him a status of the master of Russian symbolism. Currently there are more Russian translations of the sonnet “The Swan”, rather than any other language, and the very first one also belongs to V. Bryusov. The article considers the third and most well-known translation, the first to be named “The Swan”. The comparative analysis of the original text of the sonnet and its translation allows to identify the specificity of Bryusov’s perception of S. Mallarmé’s poetry and the peculiarities of the poetics of Russian symbolism.
    Keywords:
    poetry, Russian symbolism, French symbolism, translational reception, Bryusov, Mallarme
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  • Haiku Form in Udmurt Poetry

    Research Article
    Ethnic Culture Volume 4 No 3
    Author:
    Victor L. Shibanov
    Work direction:
    World languages and literature
    Abstract:
    Japanese forms of verse are beginning to occupy an important place in the Udmurt poetry of recent times. In the 1990s, the dialogue of cultures was directed mainly to the West. In the new millennium, the internal mechanisms of culture begin to actualize the classical East. There comes a time of worldview and understanding of what is happening, haiku is becoming one of the popular genres. The purpose of the study is to identify national features of the haiku genre in the Udmurt lyrics. The object of analysis is the poems of A. Leontiev, S. Matveev and Alexei Arzamazov, written in the form of a Japanese three-line poem. The method of analysis is comparative studies. The results of the study are as follows. Udmurt poets, writing in the form of haiku, strive to see the big world in a small detail, to show the eternal in a moment. The autumn landscape becomes attractive in that it conveys “light sadness” (sabi). Thus, the poets do not copy the Japanese canons, but bring a national flavor. The unexpectedness of the finale (koan) in Udmurt haiku is usually achieved by the fact that the poet passes from one spatial dimension to another.
    Keywords:
    comparative studies, Udmurt poetry, haiku, koan, sabi
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  • Dialogue of Cultures in the Early Lyrics of the Udmurt Poet Flor Vasiliev

    Research Article
    Ethnic Culture Volume 3 No 4
    Author:
    Victor L. Shibanov
    Work direction:
    Special Theme of the Issue: Languages and Culture of Finno-Ugric people
    Abstract:
    The article is devoted to the analysis of lyrics by Flor Vasiliev (1934–1978) which is a new page in the history of Udmurt Soviet poetry. The young poet went beyond the generally accepted standards thanks to the rich literary context. This article is devoted to the study of the early lyrics of Flor Vasilyev in the aspect of the dialogue of cultures. The subject of analysis is poems written in the early 1960s. The purpose of the study is to identify and describe literary contacts with representatives of different cultures. The method of analysis is comparative studies. The result of the study is as follow: Flor Vasiliev introduces the names Remarque, Picasso, Grieg, Rembrandt into his poems to depict the general cultural atmosphere of Russia in the 1950s – 1960s, the poet follows the tradition of Russian pop lyrics. Interest in impressionism (Renoir and others) helps to hone style when portraying landscapes and the inner world of the hero. Irony begins to play a large role in the poems of early Flor Vasiliev, the poet learns in this direction from Heinrich Heine. Thus, thanks to the dialogue of cultures, there is a transition from «loud» to «quiet lyrics», humanistic traditions raise the poetry of Flor Vasiliev to a new qualitative level.
    Keywords:
    comparative studies, Udmurt poetry, dialogue of cultures, literary context
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  • Reference to Persian Poets in Russian Lyrics of the 19th-20th Centuries

    Proceeding
    History of culture, study of art and philology: modern points of view
    Authors:
    Nina I. Bazoeva, Oksana S. Kravchuk
    Work direction:
    Филология
    Abstract:
    The article examines the influence of Persian literature on Russian poetry of the 19th – 20th centuries.
    Keywords:
    oriental motifs, orientalism, sufism, Petersburg Hafisites, mystical poetry, ghazal, exoticism
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  • Vliianie faktora antropomorfizma v russkom fol'klore i proizvedeniiakh A.S.Pushkina na formirovanie pozitsii rossiian v pensionnykh pravootnosheniiakh

    Book Chapter
    Economics and Law
    Author:
    Andrei B. Ivaniuzhenko
    Work direction:
    Глава 1. Право
    Abstract:
    An attempt to study the cultural problems mediating the behavior of the parties in mandatory pension relations is made. The author draws conclusions about the relationship of the content of oral folk art works and fairy tales by A. Pushkin with the will of Russian citizens as a party of the relations on compulsory pension insurance.
    Keywords:
    folklore, social contract, pension insurance, commitment, tales, anthropomorphism, Pushkin's poetry
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